Tyler-Based Curriculum Design and Undergraduate Students' Piano Performance in Hebei Province, China: A Descriptive-Correlational Study

Keywords: curriculum design; piano performance; Tyler Model; evaluation system; higher music education; descriptive-correlational study

Abstract

This descriptive-correlational study examined whether four Tyler-based curriculum-design components - Curriculum Objectives, Selection of Learning Experiences, Organization of Learning Experiences, and Evaluation System - were differentially associated with piano performance among 303 undergraduate piano students from three selected universities in Hebei Province, China. The analysis used the retained case-level doctoral-study dataset, including 40 item-level questionnaire responses, four 10-item composite scores, and a 100-point institutional piano-performance score. Descriptive statistics, group-difference procedures, direct Cronbach's alpha estimation, Pearson correlations, and case-level assumption and robustness checks were conducted. Students rated all four curriculum dimensions positively (M = 4.23-4.28), and mean piano performance was 94.2. Internal consistency across the four curriculum dimensions ranged from alpha = .647 to .713. Evaluation System showed the strongest positive association with piano performance (r = .609, p < .001), whereas Organization of Learning Experiences showed a weak but significant association (r = .145, p = .012). Curriculum Objectives (r = .088, p = .128) and Selection of Learning Experiences (r = .028, p = .629) were not significantly associated with performance. Rank-based sensitivity analyses reproduced the same substantive pattern. The findings support a contextual refinement of Tyler's model: the four components remain analytically useful but need not be equally proximal to performance outcomes in performance-based arts education. Interpret the findings within the three-university regional sample, the narrow performance-score range, the modest internal consistency of several subscales, and the non-causal design. The study recommends prioritizing transparent assessment criteria, timely actionable feedback, process-oriented evaluation, and guided self-assessment while maintaining alignment among objectives, learning experiences, organization, and evaluation.

Author Biographies

Shichen Wang, College of Arts, Sciences, and Education, Trinity University of Asia, Philippines

Shichen Wang is a doctoral student in Educational Management at Trinity University of Asia and holds a master's degree in Music from the Conservatorio di Avellino. His academic interests include music education, piano pedagogy, curriculum design, and the application of educational management principles in arts education. His current work focuses on curriculum design and assessment practices in higher music education.

Hazel Yahweh L. Arce, College of Arts, Sciences, and Education, Trinity University of Asia, Philippines

Hazel Yahweh L. Arce is affiliated with the College of Arts, Sciences, and Education, Trinity University of Asia. Her academic and professional work is situated in higher education, educational research, curriculum planning, and student development. She has experience in academic supervision, curriculum design, and educational administration.

Published
2026-09-21
How to Cite
Wang, S., & Arce, H. Y. (2026, September 21). Tyler-Based Curriculum Design and Undergraduate Students’ Piano Performance in Hebei Province, China: A Descriptive-Correlational Study. Puissant, 7, 3482-3508. Retrieved from //puissant.stepacademic.net/puissant/article/view/850
Section
Articles